After the Voltage run, I was looking for a new subject to produce in pottery. Through my mother's involvement with the Sons of Norway, I met Henry "Jack" Johnson of Two Flags Gaard. We visited his farm for a photo shoot and met the delightful Knut N-W-057-S.

After we peeled the foals off (Fjords are such teddy bears), we headed home to develop photos and a new sculpture. Jack was insistent that the portrait be Traditional scale, hence Knut's challenging size. His only criticism was that the mane was shown pasture length, so it was trimmed to the version known today. Jack specified the inner stripe should only show for funeral dress, hence Knut's "flat top".
Photo: The Johnsons
Photo: J. Berkwitz
Joan Berkwitz cleverly designed his mold and developed serious muscle lugging that beast around the workshop.

The Knut shown in the advertising photo (and the cover of THHN) was later glazed to a base as a presentation piece... for the King of Norway.
Photo: J. Berkwitz

Photo: The Johnson's
King Harald was scheduled to appear at a Sons of Norway celebration in May 1997, and I was asked to make the presentation myself. I was terribly shy, so the Sons of Norway agreed to do the honors. As it turned out, His Majesty was unable to attend, so the official presentation was conducted by two representatives.

Jan Henriksen of Sons of Norway (shown holding Knut) presented the piece to Ambassador Vraalsen, who later transferred Knut to King Harald.

And yes, I did receive a thank you note! There was even a nice newspaper article here in the States.

Brown dun second
Even my seconds look nice!
Photo: Gayle Roller

The advertisement

Early dark variation

Red dun test, owned by J. Berkwitz

The lone bisque molds, casting, airbrushing by J. Berkwitz sculpture, seam cleaning, detail work by K. Lucas.

Test for ceramic okapi